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This monument to Mithras and Cautes (or Cautopates) was erected in Carnuntum by the centurion Flavius Verecundus of Savaria.
This marble relief depicting Mithras as a bull slayer was found in the back room of the Mithraeum of the Circus Maximus.
The Mithraeum I of Ptuj contains the foundation, altars, reliefs and cult imagery found in it.
Minto has claimed that the time god Aion was painted on the corner of the north wall of the Mitreo de Santa Capua Vetere.
Recent interpretations link this marble inscription to the cult of the goddess Nemesis.
This relief of Mithras as bull slayer is surrounded by Cautes and Cautopates with their usual torch plus an oval object.
This relief of Mithras killing the bull is on display at the Royal Ontario Museum.
This is one of the two torchbearers, probably Cautes, transformed into Paris, now in the British Museum.
This unusual mural depicting Mithras killing the bull was found near the Colosseum in 1668.
This primitive relief of Mithras as a bullkiller is signed by a certain Valerius Marcelianus.
The provenance of this fragment of a white marble relief depicting Mithras as a bullkiller is unknown.
This damage relief of Mithras killing the bull was found walled into a house near Split, Croatia.
Three larger altars and other finds from the Mithraeum of Jajce, Bosnia and Herzegovina.
The relief of Mithras killing the bull from the Jajce Mithraeum is walled into the cult niche and surmounted by a roof.
This relief of Mithras as a bullkiller was found in Golubić, Bosnia and Herzegovina, near a cementery.
Vermaseren noted in his Corpus that he had been informed of a fragmented relief of Mithras killing the bull in "the museum at Ghighen".
This monument is too fragmentary to recod it definitely as a Mithras-monument.
This Aion is known for wearing a Kalathos on his lion’s head, linking him to the syncretic Sarapis.
The following note deserved an entry in Vermaseren’s Corpus Inscriptionum et Monumentorum Religionis Mithriacae.
