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Corax Materninius Faustinus dedicated other monuments found in the same Mithraeum in Gimmeldingen.
This funerary inscription, engraved on a stone urn discovered near Roman Dijon, mentions a certain Chyndonax, described as a priestly leader of Mithras.
This inscription by a certain Ioulianos, found at the entrance to the Dolichenum at Dura Europos, bears an inscription to Zeus Helios Mithras et Tourmasgade.
This damaged monument of a certain Hostilius from Malvesiatium, now Skelani, bears an inscription apparently to Mithras transitus.
This altar was dedicated by a certain Marcus Aurelius Decimus to Sol Mithras and other gods in Diana, Numibia, present Argelia.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
The lion-headed god is standing on a globe encicled by two crossed bands on which five pearls.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
The Mithraeum of Hauarte or Hawarte, which preserves colourful frescoes, it’s the latest know and used.
The Hekataion of Sidon, which depicts Hekate in her trimorphic form surrounded by three dancing girls, is the only example found to date in connection with the Mithraic cult.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
On what Hekate’s name may or may not tell us, and why the uncertainty matters.
I am a graduate trying to complete a MA in archaeology. My Master`s Dissertation is about Mistery Cults in the Roman Empire
This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
By reading Orphic theology together with Eleusinian ritual practice, the mysteries emerge as a structured mystagogy of transformation: a disciplined passage from forgetfulness (Lethe) to knowledge (aletheia), from mortality to participation in the divine.
The Mithraeum of London, also known as the Walbrook Mithraeum, was contextualised and relocated to its original site in 2016.
A study of Roman Mithraism that combines historical evidence with a symbol-centred interpretive approach, exploring Mithraic iconography, ritual experience, and the cult’s encounter with Christianity in the Late Empire.