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Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
This terra sigillata was found in 1926 in a grave on the Roman cemetery of St. Matthias, Trier. An eyelet indicates that it could have been hung on a wall.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
The mithraic relief of Konjic shows a Tauroctony in one side and a ritual meal in the other.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
This very fine relief of Mithras killing the bull was discovered in 2014 in Germán, near Sofia, Bulgaria, and is now housed in the Sofia History Museum.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
This relief of Mithras killing the bull includes various singular features specific to the Danubian area.
We’ve put together a new table of cross-references of monuments to Mithras in several databases, including Vermaseren’s Corpus, Cumont’s Textes, CIL, l’Année épigraphique, Clauss / Slaby and Heldeiberg’s epigraphic databases, and more…
This altar to Mithras found in Aquilieia mentions several persons of a same community.
This eulogy of Saint Eugene of Trapezos tells how, in the time of Diocletian, he and two other Christian fellows destroyed a statue of Mithras.
This inscription found in the Mithraeum Aldobrandini informs us of certain restorations carried out in the temple during a second phase of development.
Aemilius Chrysanthus shares the expenses of this monument with a decurio named Limbricius Polides.
There is no consensus on the authenticity of this monument erected by a certain Secundinus in Lugdunum, Gallia.
This small cippus to Zeus, Helios and Serapis includes Mithras as one of the main gods, although some authors argue that it could be the name of the donor.
The most emblematic of the Syrian Mithraea was discovered in 1933 by a team led by the Russian historian Mikhaïl Rostovtzeff.
Preamble and notes published by G. R. S. Mead in his series Echoes from the Gnosis 1907, London and Benares. Translation of the manuscript by Dieterich Eine Mithrasliturgie 1903, Leipzig.
The controversial Italian journalist Edmon Durighello discovered this marble statue of a young naked Aion in 1887.
