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Garlic merchant, probably from Lusitania, who dedicated an altar to Cautes in Tarraconensis.
This heavily damaged relief from Narbo preserves the figure of a cross-legged Mithraic torchbearer carved in low relief near the church of Saint-Sébastien in Narbonne.
The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
The base of these sandstone reliefs bears an inscription referring to a certain Marcellius Marianus.
This damaged relief of Mithras killing the bull found in 1804 and formerly exposed at Gap, is now lost.
The City of Darkness unique fresco from the Mithraeum of Hawarte shows the tightest links between the western and eastern worship of Mithras in Roman Syria.
Fresco of Mithras found in an arched niche above the right bench of the Baths of Caracalla’s Mithraeum in Rome.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The Mithraeum I in Stockstadt contained images of Mithras but also of Mercury, Hercules, Diana and Epona, among others.
From the late first century CE, Mithras spread across the Roman Empire, leaving more than 130 sanctuaries and nearly 1,000 inscriptions. This volume offers a rigorous synthesis that renews our understanding of this enigmatic cult.
These two fragments of a sandstone relief were walled into a house on the market square in Besigheim.
Terracotta krater from the southern part of the Friedberg Mithraeum, discovered in 1849. The vessel is decorated in relief with serpents, a scorpion and a ladder-like motif.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
Mithras being born from the rock (petrogenia), acquired in Rome and formerly kept in Berlin.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
Tercera entrega de la trilogía de Jaime Alvar dedicada al estudio de los cultos a dioses procedentes de Oriente en la Península Ibérica.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
