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This unusual representation of Mithras standing on a bull was kept in the Casino di Villa Altieri sul Monte Esquilino until the 19th century.
The Mitreo delle terme di Caracalla is one of the largest temples dedicated to Mithras ever found in Rome.
The Mithraeum of the Snakes preserves paintings of serpents, representing Genius Loci, part of an older private sanctuary, which were respected in the temple of Mithras.
The Mithraeum of Frutosus was in a temple assigned to the guild of the stuppatores.
The Mithraeum of the Circus Maximus was discovered in 1931 during work carried out to create a storage area for the scenes and costumes of the Opera House within the Museums of Rome building.
The Barberini Mithraeum was discovered in 1936 in the garden of the Palazzo Barberini, owned by Conte A. Savorgnan di Brazza.
The Mithraeum was found in one of the rooms of the Horrea built in the years 120 - 125 AD. The installation of the shrine may have taken place in the first half of the third century.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
The Mitreo dei Castra Peregrinorum was discovered under the church of Santo Stefano Rotondo in Rome.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
Slab marble indicates that Lucius Sempronius has donated a throne to the Mitreo delle Pareti Dipinte.
This marble slab found near the Casa de Diana in Ostia bears two inscription with several names of brothers of a same community
The dedicator of this marble basin could be the same person who offered the sculpture of Mithras slaying the bull in the Mitreo delle Terme di Mitra.
The image of the god Arimanius to which this monument refers has not yet been found.
These two parallel altars to the diophores were dedicated by the Pater and a Leo from the Mithraeum of S. Stefano Rotondo.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
The monument is engraved with an inscription by Cresces, the donor.
The Mithraeum Felicissimus has a floor mosaic depicting the seven mithraic grades.
