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Fragments of a marble relief of Sol, which probably served as a fenster.
Partial relief of a Giant with snake-feet found in the Mithraeum of Santa Prisca.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Marble torso found at Ostia in 1912 between the Decumanus and the Via dei Molini, dedicated to Mithras by a certain Atilius Glycol.
Relief possibly depicting Mithras-Men holding a torch and a a bust of Luna on a crescent.
Fragment of a white statue depicting a naked god entwined by a serpent with its head on his chest, found in the River Tiber.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
Marble relief, probably found in Rome during the construction of the Palazzo Primoli along the Via Zanardelli.
Partial marble statue of Mithras as a bullkiller found near Viale Latino, about 200 meters from Porta San Giovanni.
White marble relief depicting Mithras killing the bull, found broken in two parts in 1872 near Salita delle Tre Pile in Rome.
On the Aventine, between the Eastern side of S. Saba’s and the Via Salvator, there is a Roman building, which probably was used as a Mithraeum in the end of the 4th century.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraeum of Marino presents an unusually elongated structure with depictions from the Severian period.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This remarkable Greek marble relief of Mithras killing the bull was discovered in 1705 and remained in private collections until it was bought by the Louvre.
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.